Etonic Landscapes designs and builds gardens across Hampshire — paving, brickwork, sleeper structures, pergolas, and the planting that earns its place around them. RHS Silver-judged work. Ten years of practice. No shortcuts.
Three recent projects across Hampshire — from a small bottom-of-garden patio to a fully resolved garden composition. Different scales, same attention.
A new-build plot resolved into two terraces and a connecting stepping path, bounded by sleeper raised beds. Recessed LED at the lawn perimeter and fence-panel uplighters take the garden into the evening.
A two-zone porcelain treatment for low-maintenance entertaining. Lighter textured porcelain across the principal terrace; darker large-format porcelain at the rear, set with a framed Astro turf insert bordered by a header course of solid blue engineering brick.
A small project, finished to studio standard. Tired concrete slabs lifted; mixed-size Raj sandstone laid in a random course, framed in Ibstock red multi brick with a low retaining wall along the fence line.
Nine disciplines, applied in the right combination for the brief in front of us. Most projects pull from at least three.
Etonic Landscapes is run by Ryan Lewis. Ten years of hard landscaping, learned the only way it can be — on site, in the rain, on jobs that don't go to plan. Most of what's on this site has been built by his own hands.
The studio takes on a small number of meaningful projects each year, partly because that's the nature of considered work, partly because Ryan would rather be on a tool than running a fleet of vans. Projects are designed by him, priced by him, and finished to a level he'd put his name on — which he does, on every drawing and every quote.
That's the working philosophy. It means programmes are honest, finishes are exact, and the studio takes the time to specify materials and joints rather than racing to wrap up a job. It also means Etonic isn't the cheapest option in Hampshire. It's not trying to be.
The studio works best when the brief is meaningful. Saying that out loud feels uncomfortable — but it's more useful, for everyone, than wasting your time and ours.
A clear four-stage process. Most projects run one to four weeks on site, depending on scope. You get a programme on day one and we hold to it.
Site visit, conversation, photographs, measurements. We listen first, propose second. No charge.
Week 1Written specification, drawings where useful, materials selection, line-by-line price. Returned within ten days.
Weeks 2–3Programme agreed, deposit taken, work begins. Daily site presence, end-of-day progress notes, no surprises.
1–4 weeksWalk-around, plant care notes, snagging close-out, photography. The garden is yours from day one.
Final weekStudio based in Warsash. Most projects sit within a 45-minute drive — there's a deliberate cap on how far we travel because we use local suppliers and we like to be on site every day.
A short phone call or a written enquiry — whichever's easier. We'll come and look, talk it through, and send a written brief and price within ten days.
